LINDA ROBINSON SOKOLOWSKI

 

My recent publication WHAT'S THE PROBLEM? Enigmas for the Visual Arts Studio is now available through Artmobile.com and is listed under art books.

The fifty-five challenging narrative problems and accompanying notes should inspire youthful, lively teaching artists. I believe my tested problems will encourage most to invent their own happily perplexing assignments to energize their curious students of art. Surrounding the text are one hundred fifty reproductions of my students' works on paper.

There have been major publications for several decades questioning whether studio art and creative writing can be taught. Problem-based teaching, though proven to work in many other fields, seems to remain questioned by some in the visual fine arts. My experiences as a young undergrad at Rhode Island School of Design, and certainly as a professor of drawing and printmaking, have proven to me
(and to those whom I mentored for thirty-five years of college teaching) that unique, open-ended assigned problems in series provide complicated, serious games which bright students of the visual arts crave. They begin to search for animated objects, mysterious enclosures and human interactions which they had never considered as subject matter. They also begin to accept the accumulated discoveries as a vital part of their being, and thus, seldom open a bare closet when searching for intriguing worthwhile subjects and spaces.

The books on drawing and painting are often "how to" books on the subject of illustration techniques. I have not seen a guide to encourage the use of narrative problems which can set a different stage for every student, one which boosts visions of an image that the young artist can grasp as a starting point that rises from an important part of his own life. So how can each presented "story" be translated into a two dimensional picture of significant form-making? Accumulating problems begin to teach this with serious work over the undergraduate years, problems which get used and reused in vastly different ways as young art students mature.